Goobta Tretyakov State Gallery waxay ku muuqatay khariidadda Moscow oo ahayd qeybtii labaad ee qarnigii 19aad. Its aasaasay, ganacsade Pavel Tretyakov oo sanado badan soo ururiyey walxo farshaxan oo kala duwan, waxay ururiyeen ururin wanaagsan oo 1892-kii u wareejiyey hantida magaalada. Tan iyo markaas, bakhaarada makhaayadaha ayaa si wayn loo kobciyay, ururkuna wuxuu kordhay marar badan. Maanta waa ay adag tahay in la sheego inta sawirro ee Tretyakov Gallery ee magaalada Moscow . Laakiin tirada guud ee ku jirta bandhigtu waxay ka badan tahay tirada 7,000.
Sawirada ugu horreeya ee Tretyakov Gallery
Bilawga ururinta rinjiyeynta Ruushka ee Pavel Tretyakov ayaa la dhigay 1856-kii, markii aasaasayaashu soo iibsadeen laba sawir ee ugu horeeyay: "La dagaallanka tahriibiyeyaasha Finnishka" waa buraashka V. Khudyakov iyo "Temptation" by N. Schilder. Wax yar ka dib labadii afar ee ugu horeysay ee farshaxanno Ruush ah ayaa lagu daray. Waxay ahaayeen "The Squire" by V. Yakobi, "The Lin Musician" by M. Klodt, "Collection of Cherries" by I. Sokolov iyo "View in agagaarka Oranienbaum" by A.Savrasov.
Noocyada ugu caansan ee Sawirka Tretyakov
Soo uruurinta ranjiyeynta Tretyakov Gallery waxaa ku jira sawirro badan oo rinjiyeynta adduunka ah, laakiin intooda badani waxay wali ku jiraan farshaxanka Ruushka.
Sawirka Ivan Kramskoy "The Mermaids" ayaa ahaa sawirkii ugu horeeyay oo aan sawirin kaliya Tretyakov Gallery, laakiin sidoo kale taariikhda dhammaan rinjiyeynta Ruushka. Muuqaalka caadiga ah ee habeenkii wuxuu noqday mid cajiib ah ka dib markii uu qoraagu ku degay dusha sare ee dukaamada .
Sawirka kale ee mawduuca dabiiciga ah waxaa iska leh naqshadda Victor Vasnetsov waxaana loo yaqaan "Bogatyri" .
Sawirka Mikhail Vrubel ee "Demon Seated" waxaa lagu sameeyay farsamo sawir ah oo saddex geesle ah leh mindi palette.
Sawirka Ivan Shishkin "Subaxdii Pine Forest" waxaa lagu yaqaanaa waddankeena dad waaweyn iyo caruur yar. Tani ma ahan wax la yaab leh, maxaa yeelay waxay ahayd iyada oo noqotay kaarka booqashada ee nalalka "Bear-Toad".
Rinjiyeynta Alexander Ivanov "muuqaalkii Masiixa ee dadka" wuxuu ahaa dhacdo dhab ah taariikhda rinjiyeynta Ruushka. Iyadoo lagu saleeyay sheeko kitaabi ah, markii ugu horreysay ee aan la aqbalin dadweynaha gudaha, iyagoo helay abaalmarinta ugu sareysa ee ka soo horjeeda tayada Talyaaniga.
Vasily Vereshchagin's canvas "Apoteosis of War" wuxuu ku dhufanayaa oo kaliya maaha farriinta qoraaga, laakiin sidoo kale macnaha qoto dheer. Qofkasta oo eegaya sawirkan, wuxuu yimaadaa xaqiiqda dhammaan cabsida dagaal kasta, iyada oo aan loo eegin sida ujeedooyinka wanaagsan ee aan loo caddayn.
Barashada rinjiyeynta by Alexei Savrasov "Rooks ayaa yimid" ayaa muddo dheer ka mid ahaa manhajka dugsiga.
Rinjiyeynta by Ilya Repin "Ivan The Terrible iyo wiilkiisa Ivan", in kasta oo aan shuruud leh oo la xiriira xaqiiqda taariikhiga ah, la yaabay leh qoto dheer ee dareenka aadanaha lagu sifeeyay on.
Wax yar oo cajiib ah waa dookha "Morning of Execution of Stroltsy" by Vasily Surikov , u go'ay mid ka mid ah dhacdooyinka naxdinta leh taariikhda Ruushka.
Sawirro kale oo ay sameysay Vasily Surikov , oo u heelan taariikhda qarnigii 17aad ee kaniisadda, waxaa lagu magacaabaa "Boyarina Morozova" oo ka mid ah kuwa ugu muhiimsan ururinta hodanka ah ee Tretyakov Gallery.
Boorsada Vasily Polenov ee "Muuqaalka Mooska Moscow" wuxuu u furayaa daaqada daawadayaasha ilaa munaasabadda Moscow ee qarnigii 19aad. Waxaa lagu qoray jacaylkaas oo kale oo ah qorshe aan rabo inaan mar kale ku soo noqdo.
Sawirka sawirka gabadha caanka ah ee caanka ah Savva Mamontov - Buroch- Valentin Serov waa burcad-badeedda fudud, iyo sannadka ka dib sannadka soo jiidanaya kumanaan qof oo marti galiya martida.
Sawirka Sawirka Pushkin ee Alexander Pushkin Orest Kiprensky wuxuu ku qaadaa meel gaar ah Tretyakov Gallery.
Rinjiyeynta Karl Bryullov "Horseman" , oo ay ku qoran tahay 1832-kii, isla markiiba waxa uu soo kiciyay duufaan dabacsanaan ah.
